Cyborg 009 Archive [repack] Instant
| Content Type | Status | Location / Notes | | :--- | :--- | :--- | | Original 1964 Manga (B&W) | Complete scanlation | Volumes 1–18 (rare) | | 1979 Film | Remastered | Available via Discotek Media | | 2001 TV Series | Partial restoration | Episodes 1–26 + 4 unaired arcs | | 2012 CGI Short | Lost media? | Only exists in festival circulation | | 2016 Call of Justice | Fully archived | Netflix stream + JP Blu-ray extras | | Ishinomori sketches | High-res available | From the Shotaro Ishinomori Manga Museum |
They are meant to be pawns in a never-ending war to stimulate the global arms trade. But under the leadership of Dr. Isaac Gilmore—the scientist who created them but later regretted his actions—they rebel. cyborg 009 archive
: A 50-episode run co-produced by Sunrise that brought the team into full color for the first time. | Content Type | Status | Location /
In the 1960s, having a team comprised of characters from Japan, America, Russia, Germany, France, China, Africa, and the UK was revolutionary. It was a hopeful vision of a world coming together to defeat a common enemy, bypassing the geopolitical tensions of the Cold War. Isaac Gilmore—the scientist who created them but later
: It documents Ishinomori’s influence on the "sentai" (team-based) genre.
| Content Type | Status | Location / Notes | | :--- | :--- | :--- | | Original 1964 Manga (B&W) | Complete scanlation | Volumes 1–18 (rare) | | 1979 Film | Remastered | Available via Discotek Media | | 2001 TV Series | Partial restoration | Episodes 1–26 + 4 unaired arcs | | 2012 CGI Short | Lost media? | Only exists in festival circulation | | 2016 Call of Justice | Fully archived | Netflix stream + JP Blu-ray extras | | Ishinomori sketches | High-res available | From the Shotaro Ishinomori Manga Museum |
They are meant to be pawns in a never-ending war to stimulate the global arms trade. But under the leadership of Dr. Isaac Gilmore—the scientist who created them but later regretted his actions—they rebel.
: A 50-episode run co-produced by Sunrise that brought the team into full color for the first time.
In the 1960s, having a team comprised of characters from Japan, America, Russia, Germany, France, China, Africa, and the UK was revolutionary. It was a hopeful vision of a world coming together to defeat a common enemy, bypassing the geopolitical tensions of the Cold War.
: It documents Ishinomori’s influence on the "sentai" (team-based) genre.