. This specific alteration allows for lush, atypical chord voicings that distinguish Rey’s sound from traditional flamenco harmony.
Most amateur transcriptions ignore the golpe (the rhythmic tap on the guitar's tap plate). In Dos Partes de Mí , the golpe occurs on beats 2 and 4, mimicking a cajón. Without the tap, the piece sounds empty. Look for a PDF that marks "G" or an 'X' notehead above the staff. dos partes de mi antonio rey pdf