In the mid-20th century, a subgenre of film emerged that sat in the uncomfortable shadows of the Hollywood studio system: exploitation cinema
Despite the constant feeling of being watched, Felicia could not simply walk away. Her daughter’s tuition in St. Lucia depended on every paycheck she earned in Manhattan. To survive, she began to treat her workday as a carefully choreographed performance. She kept her face neutral and her voice cheerful, ensuring that any recording would only capture a model employee.
