| Year | Title | |------|-------| | 1971 | Tacos al Carbón | | 1972 | Entre Monjas Anda el Diablo | | 1973 | ¡Quiero Vivir Mi Vida! | | 1973 | El Hijo del Pueblo | | 1974 | ... | | 1976 | La Ley del Monte | | 1977 | La Muerte de un Gallero | | 1978 | El Ídolo | | 1979 | El Tahúr | | 1980 | Acá las Tortas Matan | | 1981 | El Sinvergüenza | | 1982 | El Sinaloense | | 1983 | El Corrido de Luis Aguilar | | 1984 | El Niño y el Papa | | 1985 | El Macho | | 1986 | Persecución en las Vegas | | 1988 | Ladrón | | 1990 | A Rienda Suelta | | 1991 | El Carretonero |
As of 2025, the landscape is improving. The Fernández estate has begun a digital restoration project.
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(1978) : A gritty revenge story where Fernández plays a man seeking justice for his father’s murder. Acorralado
Which of these would help you most in your research or viewing?
Furthermore, these films are a sociological document. They show a Mexico in transition—moving from the agrarian revolution to the gritty urban sprawl. Vicente’s characters always fight against the gabacho (foreign) influence, the corrupt politician, the modern man who doesn't respect the land. In a way, his complete films are a conservative manifesto wrapped in a beautiful charro suit.