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The shift began quietly enough. Netflix started producing House of Cards not just because they wanted to make TV, but because they needed a reason to stop users from cancelling their subscriptions. It was "sticky" content.
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This turns art into a strategic weapon. In the past, a studio made a movie hoping it would be a hit in theaters or on syndication. Now, a piece of content is often a "loss leader"—a massive investment designed solely to pull you into a walled garden where you will, ideally, stay forever. Popular media is often shaped by the fans
