While the themes of the Taboo series are intentionally provocative and designed to push boundaries, they are frequently studied by cultural historians to understand the evolution of independent film distribution and the home video boom of the 1980s. A comparison of ? More information on the history of the "Taboo" franchise ?
Unlike the brooding, psychological intensity of the early 80s entries, Taboo VII brought a different flavor. It retained the series' commitment to narrative structure—which was becoming rarer in the "loops" and vignette-based content of the time—but updated the look for a modern audience. It was no longer about grainy 35mm film; it was about the crisp, sometimes harsh, reality of video tape. While the themes of the Taboo series are
If you were part of making Taboo VII – The Wild and the Innocent , please reach out. We’d love to hear the real story. Unlike the brooding, psychological intensity of the early
The narrative is structured through an awkward flashback sequence. It begins in the present day with (Randy West), a famous poet and author, at a book signing for his best-seller Return to Romance . After a bizarre musical number where he breaks into song for his fans, Ben encounters a lost love, Lisa Thatcher , which triggers a long look back at their time together six years prior. If you were part of making Taboo VII
: As the album progresses, it delves into more introspective territory with songs that explore themes of love, freedom, and rebellion. "Lost in the Moment" stands out as a poignant ballad, highlighting the band's capacity for emotional depth.
The film features several legends of the era, though much of their appearance is through from the earlier production: Randy West as Ben Brookfield Lysa Thatcher (Lisa Thatcher) as Emily Jamie Gillis as Liz's Friend Mai Lin as Liz Kitty Shayne (uncredited) as Mrs. Wiggins