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The boundary between filmography (as a professional, curated list) and popular videos (as an organic, algorithmic catalog) is dissolving. Contemporary directors are now evaluated not only by their feature film list but by the viral life of their work in short-form spaces. Acknowledging popular videos as a legitimate—if contested—component of filmography is essential for media scholars, archivists, and educators. The canon is no longer contained on a film reel; it lives in a TikTok loop.

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